Bad Guy

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BY Adam Nayman   April 14, 2005 10:04

Editorial Rating:
Starring Cho Je-Hyun, Seo Won. Written and directed by Kim Ki-Duk. (14A) 100 min. Runs Apr 15-21 at the Royal, 608 College. Continues Apr 22-26 at the Paradise, 1006 Bloor W.

Those who embraced Kim Ki-Duk's placid art-house breakthrough Spring, Summer, Fall, Winter... and Spring last year may regard Bad Guy as a startling departure but it's actually an older film, having premiered at the Toronto film festival in 2002. It's being released now to capitalize on the hype surrounding Chan-wook Park's Oldboy, another highly touted Korean thriller (see On Screen this page). Both are about the arbitrary imprisonment of an oblivious victim but Bad Guy decides to stay with its antagonist.

That would be Han-Gi (Cho Je-Hyun), a low-level pimp who never speaks, probably owing to the ugly scar he sports across his throat. In the shocking opening scene, he spots pretty student Sun-Hwa (Seo Won) sitting on a park bench, every inch the embodiment of what he can't have. She rebuffs his clumsy advances but when he forces her into a desperate kiss, he's pulled off and brutalized by a group of passing soldiers. The girl punctuates his humiliation by spitting in his face and walks away with her boyfriend, secure and untouchable.

Except that she's not. To reveal Han-Gi's elaborate revenge would dull Bad Guy's overwhelming emotional impact: it's enough to say that Sun-Hwa suffers a protracted punishment at the thug's hands that is both wildly disproportionate to her perceived crime and very difficult for even jaded viewers to stomach. But Ki-Duk doesn't revel in the details of her suffering. For all the lurid nastiness on display, it's clear that the film is meant as an exploration of cruel male fantasies rather than a smiley-faced enactment of same, à la Sin City.

In fact, this inventory of cruelty is unfailingly compassionate. It's a curious dynamic made all the more disorienting by a third-act detour into surrealistic territory. Bad Guy delivers the requisite genre jolts (there's an impaling with a five-foot long shard of glass) but the atmosphere of fateful melancholy is what will linger in your mind for days.

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