Starring David La Haye, Noemie Godin Vigneau. Written by Pierre Billon. Directed by Jean Beaudin. (PG) 145 min. Opens Oct 21.
Nouvelle France has an ambitious reach: a Canadian historical
epic fashioned as a would-be commercial blockbuster about a doomed love
affair. Think of it as Canadian Heritage Minutes by way of Titanic. Celine Dion even sings the closing ballad.
The
love story of well-born fur trapper François (David La Haye) and
spirited miller's daughter Marie-Loup (Noemie Godin Vigneau) unfolds
between 1758 and 1761, during the conquest of New France by Britain.
The supporting cast is a roll call of period-piece heavy-hitters like
Gerard Depardieu, Vincent Perez, Jason Isaacs (as General James Wolfe),
Tim Roth (as William Pitt the Elder) and Irène Jacob -- though
13-year-old Juliette Gosselin steals the show as Marie-Loup's
precocious daughter, one of few properly fleshed out fictional
characters. Other historical figures who show up amid the dramatization
include Benjamin Franklin, Voltaire and Madame de Pompadour.
Veteran
Quebec director Jean Beaudin does a decent job of bringing the history
books to life, and the look of 18th-century Canada and Europe -- from
natural vistas to lavish royal courts, open markets and prisons -- is
lushly rendered by cinematographer Louis de Ernsted. But the epic only
sporadically achieves the lyrical depth and heft needed for such a big
task. The thin love story groans with overblown melodrama while the
most dramatic moments in Canada's early history -- such as the Battle
of the Plains of Abraham -- are skipped altogether.
The making of
Canada as viewed through a Quebec nationalist lens should leave a
deeper sense of tragedy and historic perspective. Instead, this is a
pretty but cold picture whose players get shafted by the wooden
dialogue.