Theatre

People Power

  • Favourite  
  • Recommend: 0   Recommend

BY Gilberto Zambrano   April 18, 2008 17:04

Editorial Rating:
Written and performed by Leon Aureus, Rose Cortez, Nicco Lorenzo Garcia,
Christine Mangosing and Nadine Villasin. Directed by Nina Lee Aquino.
Presented by the Carlos Bulosan Theatre. To May 11. Tue-Sat 8pm, Sun 2:30pm.
$15-$25, Sun PWYC. Theatre Passe Muraille, 16 Ryerson. 416-504-7529.
www.artsboxoffice.ca.

Don’t be fooled by the spartan set design, minimal amount of props and small cast, People Power manages to epically cover a quarter century of the Philippines’ history and follow the lives of close to two dozen characters in the later years Ferdinand Marcos' rule.
 
Using short, intertwined vignettes that show the daily life of Filipinos in the years leading to the street protests that eventually overthrew Marcos and the ascendancy of Corazon Aquino as president of the new democracy, the spectator gets a feel for what it must have been like for common citizen and elite alike to eventually come to the realization, at their own speeds and for their respective reasons, that change was imperative after two decades of US-backed dictatorship.
 
That five people can portray taxi drivers, street beggars, soldiers, politicians, journalists, students, prostitutes, exiles and socialites convincingly is impressive in itself but to add to that, they get the audience to participate, turning them into rioters or presidential hangers-on and making a story we are separated from by geography, culture and the passage of time something much more immediate.
 
At times funny but mostly very moving, the story should be one that all of us could relate to — be it as new Canadians who left a similar situation or those who see international trouble just by turning on the TV and watching the news.

Email us at: LETTERS@EYEWEEKLY.COM or send your questions to EYEWEEKLY.COM
625 Church St, 6th Floor, Toronto M4Y 2G1

User Comments



Be the first to comment
Film Finder
|
GO

Related Stories

Caresses
Toronto last saw Caresses in an Equity Showcase production in 2000. If you missed it then, do try to see it now because it is one of the greatest plays of the last decade as this fine production makes abundantly clear.

Fibber
Doing yoga half-way up one of the two large, floor-to-ceiling cargo nets which comprise the set of Fibber, one actress asks another if she’s even listening to what she’s saying.

Don Giovanni
In the COC’s current production of Don Giovanni, Robin Guarino does away with most of the directorial clichés that often burden this opera, but she also does away with the influence of the supernatural in the story.

MORE INSIDE




Copyright 1991 - 2007 EYE WEEKLY Newspapers Limited. All Rights Reserved. Distribution transmission,
Republication of any materials is strictly prohibited without the prior written consent of EYE WEEKLY.
EYE WEEKLY is a division of Toronto Star Newspapers Limited.
Register User