What started three years ago as a performance about Icarus, the boy who dared to fly past his father, has evolved into an examination of three mythological winged creatures trapped mentally, emotionally and physically by their male relationship issues. Written and performed by David Tomlinson, and directed by Diana Kolpak, Wingéd takes place at the DeLeon White Gallery amid an art exhibit — curated by dramatist Jessica Cimó — that explores the play’s central themes.

As Icarus, Tomlinson muses about his relationship with his distant father, a man of science, and thinks of how he defied him by flying too close to the sun, while exploring his relationship with his male lover and the mistakes he made that he cannot take back. His monologue is punctuated by writhing body movements, as he continues to plummet to his death. Switching to the role of Lucifer, Tomlinson deals with the push and pull of his relationship with God and coming to terms with his fallen-angel status; he drags himself across the floor, paces back and forth as he awaits messages from his father. Finally, as The Phoenix, Tomlinson confronts the abuse he endured at the hands of a relative, struggling with his thirst for vengeance and memories of his trauma.

Tomilson effectively conveys a well-rounded story for each of these characters without the big stage and fancy props. The use of coloured lighting and a screen overhead enhances the setting and the portrayal of the characters’ emotional state. His words interweave philosophical musings with a surprise dose of informal humour, while his movements are fluid and graceful, almost like a dance. Although the artwork could be incorporated into the actual performance more explicity, the unique setting of the piece only works in its favour. Wingéd is a riveting performance, with each character coming to life, reaching out and connecting with the audience.