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A PREVIOUS ENGAGEMENT

There is no earthly reason that Joan-Carr Wiggin’s A Previous Engagement should be two hours long, since this trite tale of reignited romance is sucking wind by the end of its first act.

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J’ENTENDS PLUS LA GUITARE

BY Adam Nayman

“Don’t forget to slam it good,” shouts the woman at her departing lover; with a contemptuous smile, he assents. It’s a pretty succinct way to end a movie about a fractious, fragmented relationship...

MY BLUEBERRY NIGHTS

BY Jason Anderson

Though tightened considerably since its Cannes debut last year, the first English-language feature by Hong Kong’s master of romantic languor isn’t really any more substantial or satisfying. Wispy,...

SPEED RACER

BY Adam Nayman

At its heart, Speed Racer couldn’t be simpler — it’s a manga-fied Talladega Nights about a little boy who dreams of going really, really fast. But its very existence constitutes an interesting ...

THE BABYSITTERS

Like its industrious young heroine who reasons that “paid fellatio isn’t that much more humiliating than flipping burgers,” this American indie likes to flirt with danger but isn’t sure what to do when the situation...

THE RISE AND FALL OF THE GRUMPY BURGER

Here’s a second shot to catch this Hot Doc hit, Matt Gallagher’s very funny portrait of filmmaker pal Marshall Sfalcin, Windsor, Ontario’s very own Roger Corman, a man happy to fill his no-budget, ...

THE STONE ANGEL

Margaret Laurence’s university-syllabus perennial is shot through with almost comically Canadian themes — it’s about striving to die on one’s own ornery terms. Yet Kari Skogland’s film version is less stolid than one...

THE UNKNOWN WOMAN

To say that The Unknown Woman represents a change of pace for Giuseppe (Cinema Paradiso) Tornatore is an understatement; call it Giuseppe Goes Giallo.

WHAT HAPPENS IN VEGAS

They say what happens in Vegas can be obliterated by a few Bloody Marys and an Advil. The time-tested tradition of blackjack, buffets and the Bellagio acts as the backdrop for this forgettable romantic ...

Iron Man

Robert Downey Jr.’s characteristic blend of affable arrogance, suppressed anger and hipster wise-assery is so novel for a leading role in a superhero movie, you might wish he got to star in all of them. And just think ...

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