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On Screen

Shutter

BY Adam Nayman   March 21, 2008 02:03

Editorial Rating:
Starring Joshua Jackson, Rachael Taylor. Written by Luke Dawson. Directed by Masayuki Ochiai. (PG) 85 min. Opens March 21

Shutter is probably not going to be the last American remake of an Asian horror film — its source material is Thai if you care — but it feels like an endpoint all the same, making the dullest and most superfluous iteration yet of the lurking-dead-girl-torments-the-living storyline.

The living in this case are an American photographer (Joshua Jackson) and his blonde new bride (Rachael Taylor) who have taken a working honeymoon in Japan.  One of them harbors a secret skeezy enough to incur some supernatural wrath: Shutter’s gimmick is that the ghost — a wan, wandering wraith with dark straight hair, natch — goes about inserting herself in photos. Luke Dawson’s screenplay offers some exposition about spirit photography (which, like Spinal Tap, is apparently big in Japan), but where a more ambitious film might have limited its star specter’s appearances to snapshot cameos — imagine a modern gloss on the classic Night Gallery episode with the ever-changing painting — Shutter glumly runs through the usual she’s-right-behind-you-turn-around set pieces. There is one sore-thumb digression: an aspiring model in a cowboy hat and lingerie playfully riding a sofa. Now that’s something I don’t remember happening in The Ring.  

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