On Screen

Bangkok Dangerous

Starring Nicholas Cage, Shahkrit Yamnarm. Written by Jason Richman, Oxide Pang Chun. Directed by Oxide Pang Chun, Danny Pang. (18A). 99 min.

  • Favourite  
  • Recommend:

BY Nick Flanagan   September 08, 2008 18:09

Editorial Rating:

Bangkok Dangerous is a remake of the Pang Brothers’ 1999 film of the same name, and having not seen the original I can only guess that it doesn’t suffer from what ultimately keeps the American version from scaling exciting heights — and that is the wait for Nicolas Cage to do something. He’s in Weather Man mode here as Joe, a coldly mechanical assassin who never leaves a trace of his killings, even if that means taking care of his contacts. We begin in Prague but are quickly taken to what seems to be the hitman’s last job, a four-victim blowout in Bangkok. He quickly hires a helper named Kong (Shahkrit Yamnarm), and after some initial displays of loyalty, begins to train him.


It’s an abrupt switch that’s hard to decipher, but not as odd as seeing Joe romancing a deaf/mute pharmacy employee. These two relationships are balanced by action pieces, as Joe disposes of his victims with the help of helped by Kong. It’s presented in a clinical, seedy style that gives the whole film a dreary feel. Cage’s perfomance is jumpy — there seems to be a personality ready to burst out of him, but it never materializes. His attempts at playing the lone wolf to perfection continue to elude him.
 

Email us at: LETTERS@EYEWEEKLY.COM or send your questions to EYEWEEKLY.COM
625 Church St, 6th Floor, Toronto M4Y 2G1
Film Finder
|
GO

Related Stories

J’ai tué ma mere (I Killed My Mother)
Those arriving late to the story of Montreal upstart Xavier Dolan may wonder what the fuss has been about. After all, Dolan’s feature debut — made before the child-actor-turned-auteur turned 20 — has attracted much hype since it became a Cannes sensation.

Frozen
For a film that can be summed up pretty much in five words — snowboarders get stuck on chairlift — Frozen is remarkable for wringing a maximum amount of tension and terror out of its minimalist concept.

Dear John
Novelist Nicholas Sparks earns another cheque with Dear John, a weepie that packs the many sources of heartbreak found in his previous work (The Notebook, A Walk To Remember) into 106 minutes: cancer, war, 9/11, autism and long-distance romance all befall

MORE INSIDE