JCVD
Jean-Claude Van Damme takes on his most difficult character yet: himself

Chocolate
Madness vets who screamed with pleasure through the legendary 2003 screening of Ong-Bak will wet themselves again over the same team’s girl-positive spin on the same Thai recipe of hyperkinetic choreography, dazzling stunts and dubious acting. In place of

Not Quite Hollywood
If this history of “Ozploitation” filmmaking is to be believed, Australian cinema is less accurately epitomized by the likes of Picnic at Hanging Rock than by Not Quite Hollywood’s array of vulgar T&A comedies, Corman-calibre horror flicks and biker movies