BY Stuart Berman March 19, 2008 15:03
These Scots’ studious reverence for gothic Americana — as defined by Johnny Cash and later updated by the likes of the Gun Club — was well-documented on their first two releases, and it would be safe to assume that they would venture further down that dusty road to get a better grasp of the music’s elemental roots. But that would’ve been boring as all hell, so they hired Suede guitarist Bernard Butler as producer and went glam instead. Butler’s mixing-board makeover sometimes robs Sons and Daughters of their mischievous personality and fashions the songs into standard-issue indie, but when the band’s ’50s pop affinities coalesce with the producer’s flair for ’70s-sized spectacle, the result is pure glitter-rock gold: from the threatening platform-booted stomp of “The Nest,” to the sock-hop shimmy of “Darling” and “Chains,” This Gift smartly trades in the grease for Grease.
PONY DA LOOK
Pony Da Look once famously described themselves as “four gargoyles spewing juices from their throats,” which certainly does the job better than “lo-fi synth-pop.”
EL PERRO DEL MAR
Don’t let the innocence of Sarah Assbring’s childlike falsetto lull you into thinking her El Perro Del Mar alias is some kind of exercise in sonic preciousness.
YOUNG & SEXY
Ever since releasing their astonishingly good Stand Up for Your Mother debut back in ’02, Vancouver’s Young & Sexy have struggled to make music that’s airy and sweet without being precious, charming without being twee.