BY Dave Morris March 26, 2008 15:03
Return to form, my ass. They may have had a few sprightly little numbers in their I.R.S. indie heyday, but these one-time Georgia folkies were never as loud and aggressive as they are on Accelerate. It suits them, a lot better than coasting into retirement on a stream of weedy wimp-rock, running down an $80-million contract that belongs in the Rock ’n’ Roll Hall of Hubris. Their songwriting hasn’t changed overnight — Michael Stipe’s vocal curlicues as he kicks into the verse of “Supernatural Superserious” would have sounded at home on any of their last three albums, but it would have arrived over a midtempo avalanche of bland, rather than producer Jacknife Lee’s scorching mix and Peter Buck’s alternately crunching and chiming guitars. Non-member stand-in Bill Rieflin’s raucous drumming pushes them harder than ever before, making “Living Well Is the Best Revenge” the punk-rock kiss-off that Stipe’s acid lyrics deserve. (Stipe’s lyrics seem to be largely fingerwagging at various Republican miscreants, which is fine if not nearly as energizing as the music.) Accelerate only runs 35 minutes or so, but give them a break, they’re old — and except for on “I’m Gonna DJ,” when Stipe describes a playlist as “kickin’” and tries to make up for it by mentioning weblogs, they don’t even sound like it.
PONY DA LOOK
Pony Da Look once famously described themselves as “four gargoyles spewing juices from their throats,” which certainly does the job better than “lo-fi synth-pop.”
EL PERRO DEL MAR
Don’t let the innocence of Sarah Assbring’s childlike falsetto lull you into thinking her El Perro Del Mar alias is some kind of exercise in sonic preciousness.
YOUNG & SEXY
Ever since releasing their astonishingly good Stand Up for Your Mother debut back in ’02, Vancouver’s Young & Sexy have struggled to make music that’s airy and sweet without being precious, charming without being twee.