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        <link><![CDATA[http://www.eyeweekly.com/arts]]></link>
        <language>en-us</language>

        
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                      <title><![CDATA['Art']]></title>
                      <description><![CDATA[The all-white painting at the centre of Yasmina Reza’s 'Art' tests friendships and aesthetic tastes in this must-see Canadian Stage production.<br />]]></description>
                      <link>http://eyeweekly.com/arts/theatre/article/85631</link>
                      <category><![CDATA[arts/theatre]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2010/03/19</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/arts/theatre/article/85631</guid>
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                      <title><![CDATA[Oh What a Lovely War]]></title>
                      <description><![CDATA[Oh What a Lovely War is vintage anti-war agitprop meant to be savage
 and unsentimental, yet very little of this comes through in this 
Soulpepper production.]]></description>
                      <link>http://eyeweekly.com/arts/theatre/article/85630</link>
                      <category><![CDATA[arts/theatre]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2010/03/18</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/arts/theatre/article/85630</guid>
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                      <title><![CDATA[Tony Romano: “a fist full of flies”]]></title>
                      <description><![CDATA[Getting what Tony Romano does isn’t so much a matter of effort as a
matter of caring. Romano, who also runs local art-magazine Hunter and
Cook with painter Jay Isaac, has a new show at Diaz Contemporary that,
like so much work by young hip white male urbanites, recalls Rodney
Graham.]]></description>
                      <link>http://eyeweekly.com/arts/galleries/article/85676</link>
                      <category><![CDATA[arts/galleries]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2010/03/17</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/arts/galleries/article/85676</guid>
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                      <title><![CDATA[When hecklers have lawyers]]></title>
                      <description><![CDATA[Call it cold comfort, but when Guy Earle appears before the B.C. Human
Rights Tribunal later this month he will at least be able to imagine
that Lenny Bruce and George Carlin are standing next to him. Because if
there's an upside to the Toronto comic's legal woes — stemming from a
2007 incident at a Vancouver comedy spot — it's that they put him in
the rare company of comics who have gone to court (or something like
it) over their material. <br />]]></description>
                      <link>http://eyeweekly.com/arts/comedy/article/85588</link>
                      <category><![CDATA[arts/comedy]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2010/03/17</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/arts/comedy/article/85588</guid>
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                      <title><![CDATA[Sex, Bombs and Burgers]]></title>
                      <description><![CDATA[Our society is the product of its technology. And our technology
is largely the product of war, porn and fast food, as shown by
award-winning tech journalist Peter Nowak in his new book.<br />]]></description>
                      <link>http://eyeweekly.com/arts/books/article/85674</link>
                      <category><![CDATA[arts/books]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2010/03/17</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/arts/books/article/85674</guid>
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                      <title><![CDATA[As close as it gets]]></title>
                      <description><![CDATA[I’m So Close It’s Not Even Funny brings a taste of Stephen Hawking to the Free Fall Festival]]></description>
                      <link>http://eyeweekly.com/arts/theatre/article/85669</link>
                      <category><![CDATA[arts/theatre]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2010/03/17</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/arts/theatre/article/85669</guid>
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                      <title><![CDATA[The M-word]]></title>
                      <description><![CDATA[Pop Fiction debates magic realism and Andrew Kaufman’s The Waterproof Bible<br />]]></description>
                      <link>http://eyeweekly.com/blog/popfiction/article/85508</link>
                      <category><![CDATA[blog/popfiction]]></category>
                      <keywords><![CDATA[Andrew Kaufman's The Waterproof Bible]]></keywords>
                      <pubDate>2010/03/15</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/blog/popfiction/article/85508</guid>
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                      <title><![CDATA[The Overwhelming]]></title>
                      <description><![CDATA[American playwright J.T. Rogers has structured his 2006 play <em>The Overwhelming</em>
as a thriller.&nbsp; The action is swift and the atmosphere tense,
especially under Joel Greenberg’s taut direction.&nbsp; Yet, the play’s
subject matter — the Rwandan genocide of 1994 when an estimated 800,000
people were slaughtered — is so incomprehensibly horrific, it evades
Rogers’ attempts to convey even its prelude.<br />]]></description>
                      <link>http://eyeweekly.com/arts/theatre/article/85510</link>
                      <category><![CDATA[arts/theatre]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2010/03/12</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/arts/theatre/article/85510</guid>
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                      <title><![CDATA[Monkey King]]></title>
                      <description><![CDATA[If you go to Monkey King because it claims to be “The First Chinese Rock-Musical,” you will be bitterly disappointed. Zhou Jiaojiao’s music may include the occasional electric guitar, but mostly it sounds like a mélange of sci-fi soundtracks from the original Godzilla to Revenge of the Sith.]]></description>
                      <link>http://eyeweekly.com/arts/theatre/article/85306</link>
                      <category><![CDATA[arts/theatre]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2010/03/11</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/arts/theatre/article/85306</guid>
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                      <title><![CDATA[Wangechi Mutu: "This You Call Civilization?"]]></title>
                      <description><![CDATA[How do you solve a problem like Wangechi Mutu? The Kenyan-born, New
York–based artist, whose “This You Call Civilization?” is currently at
the AGO, makes collages, videos and sculptures that tend to combine in
a type of installation wherever she shows.]]></description>
                      <link>http://eyeweekly.com/arts/galleries/article/85140</link>
                      <category><![CDATA[arts/galleries]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2010/03/10</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/arts/galleries/article/85140</guid>
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                      <title><![CDATA[Hello, Cleveland]]></title>
                      <description><![CDATA[Last Call Cleveland, the Ohio-based winners of the last Toronto Sketch Comedy Festival, come back for their victory lap. Plus: it's your last chance to catch live, improvised talk show Monkey Toast — on this continent, at least. <br />]]></description>
                      <link>http://eyeweekly.com/arts/comedy/article/85082</link>
                      <category><![CDATA[arts/comedy]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2010/03/10</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/arts/comedy/article/85082</guid>
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                      <title><![CDATA[Who’s funny now?]]></title>
                      <description><![CDATA[The subject matter of Yasmina Reza’s Art is just that: art. Well, that and the fragility of friendship.]]></description>
                      <link>http://eyeweekly.com/arts/theatre/article/85136</link>
                      <category><![CDATA[arts/theatre]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2010/03/10</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/arts/theatre/article/85136</guid>
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                      <title><![CDATA[God is my co-writer]]></title>
                      <description><![CDATA[And on the second week, the Pop Fiction book club gave its opinion of Andrew Kaufman’s The Waterproof Bible.<br />]]></description>
                      <link>http://eyeweekly.com/blog/popfiction/article/84949</link>
                      <category><![CDATA[blog/popfiction]]></category>
                      <keywords><![CDATA[Andrew Kaufman's The Waterproof Bible]]></keywords>
                      <pubDate>2010/03/08</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/blog/popfiction/article/84949</guid>
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                      <title><![CDATA[Talk]]></title>
                      <description><![CDATA[Can a single word spoken by a third party break up an 18-year
friendship between two men? Oddly enough, the answer seems to be “yes”
in Winnipegger Michael Nathanson’s 2007 play Talk, now receiving its
Toronto premiere by the Harold Green Jewish Theatre Company.&nbsp; Nathanson
gives the old story of the dubious woman who destroys the innocent
idyll of male bonding a twist, in that one friend is Jewish and the other is
not.]]></description>
                      <link>http://eyeweekly.com/arts/theatre/article/84922</link>
                      <category><![CDATA[arts/theatre]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2010/03/05</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/arts/theatre/article/84922</guid>
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                      <title><![CDATA[Communion]]></title>
                      <description><![CDATA[Communion, now having its world premiere at the Tarragon
Theatre, is a fascinating but very different Daniel MacIvor play. Gone
are the horror, violence and convolutions of time. Where previous
MacIvor characters have been only too able to create images of
themselves through storytelling, in Communion characters struggle to
find the story that explains who they are.&nbsp;&nbsp; &nbsp;]]></description>
                      <link>http://eyeweekly.com/arts/theatre/article/84714</link>
                      <category><![CDATA[arts/theatre]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2010/03/04</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/arts/theatre/article/84714</guid>
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                      <title><![CDATA[Dan Perjovschi: Late News]]></title>
                      <description><![CDATA[Bucharest-based artist does what any of us could, but none of us are allowed to]]></description>
                      <link>http://eyeweekly.com/arts/galleries/article/84550</link>
                      <category><![CDATA[arts/galleries]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2010/03/03</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/arts/galleries/article/84550</guid>
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                      <title><![CDATA[High heels and hard luck]]></title>
                      <description><![CDATA[Paul Dooley keeps his camera six inches from the ground for the World of Comedy Film Festival. <br />]]></description>
                      <link>http://eyeweekly.com/arts/comedy/article/84546</link>
                      <category><![CDATA[arts/comedy]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2010/03/03</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/arts/comedy/article/84546</guid>
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                      <title><![CDATA[Shake free from the devil]]></title>
                      <description><![CDATA[J.T. Rogers’ The Overwhelming explores pre-Dallaire Rwanda]]></description>
                      <link>http://eyeweekly.com/arts/theatre/article/84547</link>
                      <category><![CDATA[arts/theatre]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2010/03/03</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/arts/theatre/article/84547</guid>
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                      <title><![CDATA[Better than the Good Book?]]></title>
                      <description><![CDATA[<p class="MsoNormal">The Pop Fiction book club previews its March selection: Andrew
Kaufman’s The Waterproof Bible.<em><o:p /></em></p>]]></description>
                      <link>http://eyeweekly.com/blog/popfiction/article/84328</link>
                      <category><![CDATA[blog/popfiction]]></category>
                      <keywords><![CDATA[Andrew Kaufman's The Waterproof Bible]]></keywords>
                      <pubDate>2010/03/01</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/blog/popfiction/article/84328</guid>
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                      <title><![CDATA[Blind Date]]></title>
                      <description><![CDATA[Originally staged as part of a “burlesque clown” performance at Harbourfront’s Spigel Show
in 2007, Loose Moose-improv veteran Rebecca Northan has created a
phenomenal show that illustrates most of love’s theatrics.]]></description>
                      <link>http://eyeweekly.com/arts/theatre/article/84409</link>
                      <category><![CDATA[arts/theatre]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2010/02/26</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/arts/theatre/article/84409</guid>
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                      <title><![CDATA[Misery loves comedy]]></title>
                      <description><![CDATA[So, you’ve got the Seasonal Affective Disorder, do ya? The three hours
of daylight and thundering blizzards of slush are getting you down?
Well, at least you’re in good company, which this week includes
stand-up Jeremy Hotz, who brings his aptly named “It’s The Most
Miserable Time Of The Year” tour to Massey Hall tonight.]]></description>
                      <link>http://eyeweekly.com/arts/comedy/article/84313</link>
                      <category><![CDATA[arts/comedy]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2010/02/25</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/arts/comedy/article/84313</guid>
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                      <title><![CDATA[The Infinities]]></title>
                      <description><![CDATA[John Banville's latest novel asks, &quot;If mankind is just a plaything for capricious gods, why should it matter what happens to these tormented bipedal sacks of flesh?&quot;]]></description>
                      <link>http://eyeweekly.com/arts/books/article/84068</link>
                      <category><![CDATA[arts/books]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2010/02/24</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/arts/books/article/84068</guid>
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                      <title><![CDATA[Trixx no treat]]></title>
                      <description><![CDATA[Local comic and Video on Trial regular self-releases an overlong and unfunny DVD]]></description>
                      <link>http://eyeweekly.com/arts/comedy/article/83940</link>
                      <category><![CDATA[arts/comedy]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2010/02/24</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/arts/comedy/article/83940</guid>
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                      <title><![CDATA[Will Gorlitz: Nowhere If Not Here and Always Ready]]></title>
                      <description><![CDATA[How nice to see an exhibit on a painter’s 20-year-long career and to know that he has, more or less, gotten better with time.]]></description>
                      <link>http://eyeweekly.com/arts/galleries/article/84072</link>
                      <category><![CDATA[arts/galleries]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2010/02/24</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/arts/galleries/article/84072</guid>
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                      <title><![CDATA[School’s Out]]></title>
                      <description><![CDATA[Wrapping up its February discussion, the Pop Fiction book club gives the gears to John McNally, who answers our questions about his novel After The Workshop <br />]]></description>
                      <link>http://eyeweekly.com/blog/popfiction/article/83865</link>
                      <category><![CDATA[blog/popfiction]]></category>
                      <keywords><![CDATA[John McNally's After the Workshop]]></keywords>
                      <pubDate>2010/02/22</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/blog/popfiction/article/83865</guid>
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