en-us http://eyeweekly.com/clubs/djspotlight/article/25807 2008/05/01 http://eyeweekly.com/clubs/djspotlight/article/25807 http://eyeweekly.com/clubs/djspotlight/article/25127 2008/04/24 http://eyeweekly.com/clubs/djspotlight/article/25127 http://eyeweekly.com/clubs/djspotlight/article/23531 2008/04/10 http://eyeweekly.com/clubs/djspotlight/article/23531 http://eyeweekly.com/clubs/djspotlight/article/21475 2008/03/19 http://eyeweekly.com/clubs/djspotlight/article/21475 ]]> http://eyeweekly.com/city/scrollingeye/article/21379 2008/03/19 http://eyeweekly.com/city/scrollingeye/article/21379 http://eyeweekly.com/city/scrollingeye/article/21114 2008/03/17 http://eyeweekly.com/city/scrollingeye/article/21114 So This Is Goodbye (which was nominated for the Polaris Music Prize). Their just-released sixth instalment of Berlin imprint Get Physical’s mix CD series Body Language maps a personal journey through minimal-minded interests and various influences incorporated into Junior Boys’ albums, which are known for sparkling songwriting, arpeggiated synths, atmospherics and Greenspan’s honest, breathy vocals. ]]> http://eyeweekly.com/clubs/djspotlight/article/20444 2008/03/12 http://eyeweekly.com/clubs/djspotlight/article/20444 http://eyeweekly.com/fun/fun/article/20355 2008/03/11 http://eyeweekly.com/fun/fun/article/20355 http://eyeweekly.com/clubs/djspotlight/article/19332 2008/02/28 http://eyeweekly.com/clubs/djspotlight/article/19332 http://eyeweekly.com/clubs/djspotlight/article/18476 2008/02/19 http://eyeweekly.com/clubs/djspotlight/article/18476 http://eyeweekly.com/clubs/djspotlight/article/17957 2008/02/13 http://eyeweekly.com/clubs/djspotlight/article/17957 http://eyeweekly.com/clubs/djspotlight/article/17363 2008/02/06 http://eyeweekly.com/clubs/djspotlight/article/17363 http://eyeweekly.com/city/scrollingeye/article/16530 2008/01/30 http://eyeweekly.com/city/scrollingeye/article/16530 http://eyeweekly.com/clubs/djspotlight/article/15755 2008/01/24 http://eyeweekly.com/clubs/djspotlight/article/15755 http://eyeweekly.com/clubs/djspotlight/article/15432 2008/01/17 http://eyeweekly.com/clubs/djspotlight/article/15432 http://eyeweekly.com/clubs/djspotlight/article/14641 2008/01/10 http://eyeweekly.com/clubs/djspotlight/article/14641 http://eyeweekly.com/clubs/djspotlight/article/14290 2008/01/02 http://eyeweekly.com/clubs/djspotlight/article/14290 Fabric 15 compilation and Damian Lazarus’s Crosstown Rebels label. ]]> http://eyeweekly.com/clubs/djspotlight/article/13816 2007/12/27 http://eyeweekly.com/clubs/djspotlight/article/13816 http://eyeweekly.com/clubs/djspotlight/article/13293 2007/12/20 http://eyeweekly.com/clubs/djspotlight/article/13293 http://eyeweekly.com/clubs/djspotlight/article/12711 2007/12/12 http://eyeweekly.com/clubs/djspotlight/article/12711 http://eyeweekly.com/clubs/djspotlight/article/12044 2007/12/05 http://eyeweekly.com/clubs/djspotlight/article/12044 http://eyeweekly.com/clubs/djspotlight/article/11232 2007/11/28 http://eyeweekly.com/clubs/djspotlight/article/11232 http://eyeweekly.com/clubs/djspotlight/article/10442 2007/11/22 http://eyeweekly.com/clubs/djspotlight/article/10442 http://eyeweekly.com/clubs/clubs/article/9167 2007/11/08 http://eyeweekly.com/clubs/clubs/article/9167 WHO Well-travelled in techno circles, Toronto DJ/producer Mike Gibbs got his start in the underground as a singer for local industrial bands DHI, Pure and Love Bomber that toured with Skinny Puppy, Ministry and Nine Inch Nails. He moved on to playing live techno at raves in the late ‘90s with local outfit Transformantra before travelling Asia where he learned the craft of digital DJing. After headlining Ministry of Sound on a Friday night in Taipei, Taiwan, Gibbs (a.k.a. Dirty Robot) returned to Toronto around 2002 and sidestepped the city’s nightclub mania for underground warehouse parties, honing his dark, glitchy, industrial-layered laptop beats. ]]> http://eyeweekly.com/clubs/djspotlight/article/7435 2007/10/25 http://eyeweekly.com/clubs/djspotlight/article/7435