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           <![CDATA[Music Section Top Stories - EYEWEEKLY.com]]>
        
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                  <item>
                      <title><![CDATA[The Dears on ETV]]></title>
                      <description><![CDATA[The Montreal pop romantics preview their new album, Missiles, with a performance of lead single &quot;Money Babies&quot; at the Music Gallery.]]></description>
                      <link>http://eyeweekly.com/music/thisjustin/article/42073</link>
                      <category><![CDATA[music/thisjustin]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-10-14 12:28:06.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/music/thisjustin/article/42073</guid>
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                  <item>
                      <title><![CDATA[The Notwist]]></title>
                      <description><![CDATA[It only took the beloved German band six years to release another electro-pop masterpiece]]></description>
                      <link>http://eyeweekly.com/music/features/article/41610</link>
                      <category><![CDATA[music/features]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-10-08 13:10:40.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/music/features/article/41610</guid>
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                  <item>
                      <title><![CDATA[Peter Hammill]]></title>
                      <description><![CDATA[For the first time in decades, Van Der Graaf Generator’s Peter Hammill, one of the most singular artists to emerge from the British progressive rock scene, is touring North America.]]></description>
                      <link>http://eyeweekly.com/music/interview/article/41595</link>
                      <category><![CDATA[music/interview]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-10-08 11:36:53.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/music/interview/article/41595</guid>
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                  <item>
                      <title><![CDATA[Bad Flirt]]></title>
                      <description><![CDATA[A Montreal-based indie pop outfit brimming with sugary melodies, dance-punk drive and failed romantic overtures.]]></description>
                      <link>http://eyeweekly.com/music/interview/article/41587</link>
                      <category><![CDATA[music/interview]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-10-08 11:15:47.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/music/interview/article/41587</guid>
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                  <item>
                      <title><![CDATA[Oasis]]></title>
                      <description><![CDATA[With Noel Gallagher griping about the latest Bond theme, it might be facile to dub this Oasis’ version of Casino Royale.]]></description>
                      <link>http://eyeweekly.com/music/ondisc/article/41597</link>
                      <category><![CDATA[music/ondisc]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-10-08 11:46:12.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/music/ondisc/article/41597</guid>
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                  <item>
                      <title><![CDATA[Seeq and destroy]]></title>
                      <description><![CDATA[If the demise of RIAA-flouting online mixtape site Muxtape left you
scratching your head (though not perusing founder Justin Ouellette’s
long explanation left on the site —&nbsp;tl;dr, bro), fear not.]]></description>
                      <link>http://eyeweekly.com/music/totallywired/article/41591</link>
                      <category><![CDATA[music/totallywired]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-10-08 11:21:38.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/music/totallywired/article/41591</guid>
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                  <item>
                      <title><![CDATA[Pop and porn in Montreal]]></title>
                      <description><![CDATA[Burt Bacharach in a church and Final Fantasy in a porno theatre. On the same night. Yes, it must be Pop Montreal]]></description>
                      <link>http://eyeweekly.com/music/streetspirit/article/41276</link>
                      <category><![CDATA[music/streetspirit]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-10-06 07:00:00.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/music/streetspirit/article/41276</guid>
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                  <item>
                      <title><![CDATA[Frankie Venom, 1957-2008]]></title>
                      <description><![CDATA[Some very sad news coming in this afternoon from Sonic Unyon HQ: Frank Kerr, a.k.a Frankie Venom of Hamilton, Ontario punk-rock heroes Teenage Head, passed away today from, according to a statement by bandmate Gord Lewis, &quot;natural causes&quot; — though 51 years old seems like an unnaturally young age to go.<br />]]></description>
                      <link>http://eyeweekly.com/blog/torontonotes/article/42383</link>
                      <category><![CDATA[blog/torontonotes]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-10-15 16:46:34.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/blog/torontonotes/article/42383</guid>
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                      <title><![CDATA[Chris Abraham directs [boxhead]]]></title>
                      <description><![CDATA[“This play speaks in the logic of dreams,” says Chris Abraham,
commenting on his new production of Darren O’Donnell’s extraordinary
play, <em>[boxhead]</em>.]]></description>
                      <link>http://eyeweekly.com/arts/interview/article/42249</link>
                      <category><![CDATA[arts/interview]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-10-15 11:32:05.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/arts/interview/article/42249</guid>
                   </item>
             
                  <item>
                      <title><![CDATA[Election 2008: why?]]></title>
                      <description><![CDATA[The most pointless election ever comes to a meaningless end]]></description>
                      <link>http://eyeweekly.com/blog/torontonotes/article/42240</link>
                      <category><![CDATA[blog/torontonotes]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-10-15 11:22:40.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/blog/torontonotes/article/42240</guid>
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                  <item>
                      <title><![CDATA[Joe's Convenience Reunion Tour]]></title>
                      <description><![CDATA[There is a sketch in the Joe's Convenience repertoire about businessmen who have unlikely names like Please and Thank You.]]></description>
                      <link>http://eyeweekly.com/arts/comedy/article/42233</link>
                      <category><![CDATA[arts/comedy]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-10-15 10:58:21.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/arts/comedy/article/42233</guid>
                   </item>
             
                  <item>
                      <title><![CDATA[Quarantine]]></title>
                      <description><![CDATA[Since The Blair Witch Project, there has been no shortage of horror films utilizing the handheld-camera conceit. Quarantine’s
major contribution to this beyond-played out subgenre is that at one
point, the camera — which belongs to a television crew piggybacking on
what was supposed to be a routine fire-department call — is actually
used to bludgeon a zombie to death.]]></description>
                      <link>http://eyeweekly.com/film/onscreen/article/42080</link>
                      <category><![CDATA[film/onscreen]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-10-14 14:30:02.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/film/onscreen/article/42080</guid>
                   </item>
             
                  <item>
                      <title><![CDATA[An American Carol]]></title>
                      <description><![CDATA[Self-proclaimed &quot;9/11 Republican&quot; David Zucker returns with an
ideological comedy that harshly and unsuccessfully uses the trademark
zaniness of his Airplane and Naked Gun franchises with a serious-as-cancer, right-leaning political message.]]></description>
                      <link>http://eyeweekly.com/film/onscreen/article/42062</link>
                      <category><![CDATA[film/onscreen]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-10-14 10:52:31.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/film/onscreen/article/42062</guid>
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                  <item>
                      <title><![CDATA[Commerce Court meltdown]]></title>
                      <description><![CDATA[
Roman Danylo applied his corporate comedy to a one-night art installation decrying capitalism
]]></description>
                      <link>http://eyeweekly.com/blog/scrollingeye/article/41642</link>
                      <category><![CDATA[blog/scrollingeye]]></category>
                      <keywords><![CDATA[Art, Celebrities, Comedy, CTV]]></keywords>
                      <pubDate>2008-10-13 16:30:10.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/blog/scrollingeye/article/41642</guid>
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                  <item>
                      <title><![CDATA[War and Peace]]></title>
                      <description><![CDATA[The Canadian Opera Company’s current production of Prokofiev’s epic War and Peace is a spectacular achievement.]]></description>
                      <link>http://eyeweekly.com/arts/theatre/article/42014</link>
                      <category><![CDATA[arts/theatre]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-10-13 11:29:10.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/arts/theatre/article/42014</guid>
                   </item>
             
                  <item>
                      <title><![CDATA[Scratch]]></title>
                      <description><![CDATA[As with movies that are based on true stories, <em>Scratch</em> packs built-in punch.]]></description>
                      <link>http://eyeweekly.com/arts/theatre/article/42012</link>
                      <category><![CDATA[arts/theatre]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-10-13 11:21:09.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/arts/theatre/article/42012</guid>
                   </item>
             
                  <item>
                      <title><![CDATA[Wild Dogs]]></title>
                      <description><![CDATA[Anne Hardcastle’s stage adaptation of Helen Humphreys' 2004 novel Wild
Dogs falls into the trap of over-reverence for the source material that
plagues so many adaptations.]]></description>
                      <link>http://eyeweekly.com/arts/theatre/article/42010</link>
                      <category><![CDATA[arts/theatre]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-10-13 11:06:19.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/arts/theatre/article/42010</guid>
                   </item>
             
                  <item>
                      <title><![CDATA[The Dears @ The Music Gallery, Oct. 9]]></title>
                      <description><![CDATA[There was an air of skepticism going into Thursday night’s Dears
show at the Music Gallery. The band helped carry the torch to
Montreal’s indie-rock renaissance three years ago but stalled with 2006’s Polaris-nominated but underwhelming <em>Gang of Losers</em> and saw many contemporaries roar past them.]]></description>
                      <link>http://eyeweekly.com/music/liveeye/article/41951</link>
                      <category><![CDATA[music/liveeye]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-10-10 12:07:48.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/music/liveeye/article/41951</guid>
                   </item>
             
                  <item>
                      <title><![CDATA[Excess interaction]]></title>
                      <description><![CDATA[Pleasure Dome’s ambitious fall program promises many fresh sights and
sounds for the city’s more adventurous and novelty-starved moviegoers.]]></description>
                      <link>http://eyeweekly.com/film/feature/article/41616</link>
                      <category><![CDATA[film/feature]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-10-09 15:58:11.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/film/feature/article/41616</guid>
                   </item>
             
                  <item>
                      <title><![CDATA[The Express]]></title>
                      <description><![CDATA[It’s hard not to be moved by the story of Ernie Davis, who in 1962 became the first African-American to win the Heisman Trophy as the United States’ best college football player, only to die one year later of leukemia at the age of 23. It’s equally difficult, however, to accept <em>The Express</em> as any sort of fitting tribute: Gary Fleder’s film pumps its subject up well beyond recognizable human proportions while indulging in every inspirational-sports-movie cliché in the post-<em>Remember the Titans</em> playbook.&nbsp;]]></description>
                      <link>http://eyeweekly.com/film/onscreen/article/41834</link>
                      <category><![CDATA[film/onscreen]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-10-09 15:52:51.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/film/onscreen/article/41834</guid>
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                      <title><![CDATA[City of Ember]]></title>
                      <description><![CDATA[Maybe it’s fitting that a global-warming allegory be as concerned about its own environment as it is about the real-world one it mirrors, but the makers of <em>City of Ember</em> seem downright distracted by the unnatural beauty of the on-screen world they’ve created. And, like the incandescent bulbs burning like a thousand tiny, dying stars above the movie’s titular town, the set design, fantastic as it is, uses up so much energy there’s little left to power the story’s filaments.]]></description>
                      <link>http://eyeweekly.com/film/onscreen/article/41851</link>
                      <category><![CDATA[film/onscreen]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-10-09 15:39:51.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/film/onscreen/article/41851</guid>
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                  <item>
                      <title><![CDATA[Beverly Hills Chihuahua]]></title>
                      <description><![CDATA[From the director who brought us both <em>Scooby Doo</em> movies, comes another cutsy canine tale with a mixed cast of humans and dogs. Chloe (voiced by Drew Barrymore), is a pampered, couture-laden “gringa” chihuahua whose owner's irresponsible niece (Piper Perabo) loses her during an impromptu jaunt to Mexico.]]></description>
                      <link>http://eyeweekly.com/film/film/article/41833</link>
                      <category><![CDATA[film/film]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-10-06 13:22:24.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/film/film/article/41833</guid>
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                  <item>
                      <title><![CDATA[Stereolab @ The Phoenix, Oct. 8]]></title>
                      <description><![CDATA[Meghan McCain's favourite socialist art-rockers still look bored, but beautifully so]]></description>
                      <link>http://eyeweekly.com/music/liveeye/article/41832</link>
                      <category><![CDATA[music/liveeye]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-10-09 12:44:09.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/music/liveeye/article/41832</guid>
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                  <item>
                      <title><![CDATA[Dion rocks the vote]]></title>
                      <description><![CDATA[It was with a rather anxious vibe in my social antennae that I arrived at Stéphane Dion’s Much on Demand appearance at Much Music yesterday. The Liberal leader would be sitting down to kick it with a couple of
VJs less than half his age, in front of the type of audience usually
reserved for on-command screaming during Miley Cyrus and Hilary Duff press junkets.]]></description>
                      <link>http://eyeweekly.com/blog/torontonotes/article/41829</link>
                      <category><![CDATA[blog/torontonotes]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-10-09 12:04:30.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/blog/torontonotes/article/41829</guid>
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                  <item>
                      <title><![CDATA[WeTube]]></title>
                      <description><![CDATA[Barak Obama’s cult of celebrity culminated earlier this year when the Black Eyed Peas’ Will.i.am teamed with a litany of Hollywood stars to turn Obama’s “Yes, We Can Change” speech into a viral-video sensation.]]></description>
                      <link>http://eyeweekly.com/city/features/article/41643</link>
                      <category><![CDATA[city/features]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-10-08 16:02:16.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/city/features/article/41643</guid>
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