<?xml version="1.0"?>
<rss version="2.0">
    <channel>
        <title>
        
           <![CDATA[City Section Top Stories]]>
        
        </title>
        <description>
          eyeweekly.com RSS Feeds
        </description>
        <link><![CDATA[http://www.eyeweekly.com/539]]></link>
        <language>en-us</language>
        <image>
            <url>http://www.eyeweekly.com/App_Themes/standard/images/eyeweekly_rsslogo.gif</url>
            <title>eyeweekly.com</title>
            <link>http://www.eyeweekly.com</link>
        </image>

        
                  <item>
                      <title><![CDATA[Bonfire of inanities]]></title>
                      <description><![CDATA[In which our correspondent would accept a little backstabbing — and front-stabbing — if it meant a Toronto media scene worth gossiping about.  ]]></description>
                      <link>http://eyeweekly.com/blog/torontonotes/article/37195</link>
                      <category><![CDATA[blog/torontonotes]]></category>
                      <keywords><![CDATA[Media, New York]]></keywords>
                      <pubDate>2008-08-25 06:01:12.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/blog/torontonotes/article/37195</guid>
                   </item>
             
                  <item>
                      <title><![CDATA[Loving the Ex for the rides]]></title>
                      <description><![CDATA[The Canadian National Exhibition turns barren parking lots into a
fantasyland for two weeks each year, but it also creates a fantasy
version of the TTC that we might wish stuck around all year.]]></description>
                      <link>http://eyeweekly.com/city/details/article/37954</link>
                      <category><![CDATA[city/details]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-08-27 13:00:57.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/city/details/article/37954</guid>
                   </item>
             
                  <item>
                      <title><![CDATA[I’d buy that for a dollar]]></title>
                      <description><![CDATA[Actual items priced at $1 in Toronto last week]]></description>
                      <link>http://eyeweekly.com/city/features/article/38027</link>
                      <category><![CDATA[city/features]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-08-27 15:20:59.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/city/features/article/38027</guid>
                   </item>
             
                  <item>
                      <title><![CDATA[Pros and cons]]></title>
                      <description><![CDATA[Sasha’s piece on the fight between a homeowners’ group and the tranny
prostitutes on Maitland street is a pack of lies!! I live near that
corner — I am not a member of any organization but these guys have my
full support!]]></description>
                      <link>http://eyeweekly.com/city/letters/article/37919</link>
                      <category><![CDATA[city/letters]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-08-27 10:46:58.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/city/letters/article/37919</guid>
                   </item>
             
                  <item>
                      <title><![CDATA[A streetcar named inspired?]]></title>
                      <description><![CDATA[Like the ridiculously long tracking shot in Jean-Luc Godard’s apocalyptic Weekend, Toronto’s Transit City plan inches closer to reality in certain parts of the city.]]></description>
                      <link>http://eyeweekly.com/blog/torontonotes/article/38007</link>
                      <category><![CDATA[blog/torontonotes]]></category>
                      <keywords><![CDATA[Transit, TTC, Streetcars]]></keywords>
                      <pubDate>2008-08-27 14:34:59.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/blog/torontonotes/article/38007</guid>
                   </item>
             
                  <item>
                      <title><![CDATA[Toronto's Virgin Radio]]></title>
                      <description><![CDATA[A flash of the cover of Never Mind the Bollocks — Virgin Records catalogue number VX2086 — at the start of a video presentation set to “Let’s Get it Started” by the Black Eyed Peas says everything you need to know about how Richard Branson’s vision will extend to Canadian broadcasting. ]]></description>
                      <link>http://eyeweekly.com/blog/scrollingeye/article/37633</link>
                      <category><![CDATA[blog/scrollingeye]]></category>
                      <keywords><![CDATA[Astral, Media, Radio]]></keywords>
                      <pubDate>2008-08-25 15:12:27.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/blog/scrollingeye/article/37633</guid>
                   </item>
             
                  <item>
                      <title><![CDATA[Secret Toronto]]></title>
                      <description><![CDATA[Great places in our city that are worth the extra effort to seek out]]></description>
                      <link>http://eyeweekly.com/city/features/article/36818</link>
                      <category><![CDATA[city/features]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-08-20 17:17:28.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/city/features/article/36818</guid>
                   </item>
             
                  <item>
                      <title><![CDATA[Rich Terfry: Drive of 65]]></title>
                      <description><![CDATA[
CBC Radio 2's new afternoon-drive host would just like the opportunity to turn you on
]]></description>
                      <link>http://eyeweekly.com/blog/scrollingeye/article/38137</link>
                      <category><![CDATA[blog/scrollingeye]]></category>
                      <keywords><![CDATA[CBC, Music, Radio]]></keywords>
                      <pubDate>2008-08-28 19:13:54.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/blog/scrollingeye/article/38137</guid>
                   </item>
             
                  <item>
                      <title><![CDATA[EYE WEEKLY presents: TIFF 08]]></title>
                      <description><![CDATA[Our film-festival site is now online with new reviews added daily,
complete festival schedule, preview stories, plus videos, photo
galleries, daily reportage and more to come when TIFF begins on Sept. 4!]]></description>
                      <link>http://eyeweekly.com/tiff/tiff/article/38094</link>
                      <category><![CDATA[tiff/tiff]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-08-28 15:35:49.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/tiff/tiff/article/38094</guid>
                   </item>
             
                  <item>
                      <title><![CDATA[Black Comedy & The Real Inspector Hound]]></title>
                      <description><![CDATA[Tom Stoppard’s The Real Inspector Hound (1968) is one of the finest
one-act comedies of the 20th century — Peter Shaffer’s farce Black
Comedy (1965), not so much. Jim Warren, who directs both as a double
bill for Soulpepper, gets about as much as there is from each, but the
slapstick comedy in Shaffer comes off as repetitive and weak after the
mind-bending wit in Stoppard.]]></description>
                      <link>http://eyeweekly.com/arts/theatre/article/38065</link>
                      <category><![CDATA[arts/theatre]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-08-28 12:24:43.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/arts/theatre/article/38065</guid>
                   </item>
             
                  <item>
                      <title><![CDATA[John Acquaviva]]></title>
                      <description><![CDATA[After nearly three decades on the decks, champion Canadian DJ John
Acquaviva continues to be a crowd favourite and industry guru. Always
reinventing his sound and originating new visions, he’s seemingly on an
endless world tour, topping the bills at summer festivals such as
Benicassim and Global Gathering.]]></description>
                      <link>http://eyeweekly.com/clubs/djspotlight/article/37947</link>
                      <category><![CDATA[clubs/djspotlight]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-08-27 21:00:00.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/clubs/djspotlight/article/37947</guid>
                   </item>
             
                  <item>
                      <title><![CDATA[Steak]]></title>
                      <description><![CDATA[Steakhouses may have fallen in and out of food fashion during the last
few decades, but like Sinatra and a dry martini, a good steak never
goes out of style.]]></description>
                      <link>http://eyeweekly.com/food/review/article/37956</link>
                      <category><![CDATA[food/review]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-08-27 13:05:48.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/food/review/article/37956</guid>
                   </item>
             
                  <item>
                      <title><![CDATA[Dawn of the heads]]></title>
                      <description><![CDATA[The zombies in Bruce McDonald's Pontypool don't eat brains — they blow minds]]></description>
                      <link>http://eyeweekly.com/film/feature/article/37957</link>
                      <category><![CDATA[film/feature]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-08-27 13:10:14.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/film/feature/article/37957</guid>
                   </item>
             
                  <item>
                      <title><![CDATA[Adam and Dave]]></title>
                      <description><![CDATA[Unfortunately, this year’s Toronto International Film Festival Short
Cuts Canada program won’t feature a new film by Knock Knock (Who’s
There?) Comedy! members (and former EYE WEEKLY cover boys) Adam Brodie
and Dave Derewlany. But Friday’s one-night only event at the Royal will
give viewers who missed such past TIFF triumphs as The Wrong Number
(man vs telephone), True Love (man and woman vs Cupid) and The Racist
Brick (can’t spoil this one, sorry) the first a chance to catch up.]]></description>
                      <link>http://eyeweekly.com/film/interview/article/37969</link>
                      <category><![CDATA[film/interview]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-08-27 13:41:27.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/film/interview/article/37969</guid>
                   </item>
             
                  <item>
                      <title><![CDATA[Traitor]]></title>
                      <description><![CDATA[There is a palpable nobility to Traitor, the anxious, tidy terror-era
thriller co-written and exec produced by Steve Martin. From the get-go,
the movie dares to blur the line between good and bad in its treatment
of jihadists vs anti-terror agents. And though it’s too moralistic to
be properly ambiguous (basically: manipulating religion in order to
kill is ungodly), it’s refreshing to feel a twinge of sympathy for a
potential mass-murderer and simultaneously cheer on government agents
for whom “acceptable loss” is a playbook go-to.]]></description>
                      <link>http://eyeweekly.com/film/onscreen/article/37971</link>
                      <category><![CDATA[film/onscreen]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-08-27 13:45:49.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/film/onscreen/article/37971</guid>
                   </item>
             
                  <item>
                      <title><![CDATA[Goal II: Living The Dream]]></title>
                      <description><![CDATA[Soccer enthusiasts might enjoy the kinetic displays of real-life skill
and smooth inclusion of actors Kuno Becker and Alessandro Nivola
amongst superstars like Zidane, Ronaldo and Beckham, but Goal II is as
much a soap opera as it is a celebration of the sport.]]></description>
                      <link>http://eyeweekly.com/film/onscreen/article/37974</link>
                      <category><![CDATA[film/onscreen]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-08-27 13:47:45.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/film/onscreen/article/37974</guid>
                   </item>
             
                  <item>
                      <title><![CDATA[Redbelt, Lynch, What Happens in Vegas, more]]></title>
                      <description><![CDATA[David Mamet’s latest starts out as a perfectly watchable drama about a
taciturn jiu-jitsu instructor (Chiwetel Ejiofor) mixed up with some
sinister Hollywood types, but takes a sharp left turn into lunacy in
the third act (to paraphrase a fellow EYE WEEKLY scribe: not since The
Wicker Man remake…).]]></description>
                      <link>http://eyeweekly.com/film/dvd/article/37976</link>
                      <category><![CDATA[film/dvd]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-08-27 13:49:53.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/film/dvd/article/37976</guid>
                   </item>
             
                  <item>
                      <title><![CDATA[Working class heroes]]></title>
                      <description><![CDATA[Sick of the vacuous plastics populating most reality shows? You ain’t
alone. Sure, The Hills continues to smash ratings records into its
fourth season, but there’s a counter-movement that eschews vaguely
pretty fashion publicists in favour of tough-as-nails dudes doing
tough-as-nails jobs on deep-sea fishing boats, Texas oil rigs,
Pacific-northwest forests and arctic ice roads.]]></description>
                      <link>http://eyeweekly.com/film/tv/article/37980</link>
                      <category><![CDATA[film/tv]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-08-27 13:56:10.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/film/tv/article/37980</guid>
                   </item>
             
                  <item>
                      <title><![CDATA[Four corners]]></title>
                      <description><![CDATA[When Thom Andersen’s essay film Los Angeles Plays Itself was released
in 2003, the obvious joke was to suggest a sequel: Toronto Plays
Everywhere Else. Just this past summer, local filmgoers thrilled to a
Zanzibar cameo in the ostensibly New York City–set climax of The
Incredible Hulk (there wasn’t much else to thrill to), and a sharp-eyed
viewer could probably cite another half-dozen examples in the past year
alone.]]></description>
                      <link>http://eyeweekly.com/film/feature/article/37981</link>
                      <category><![CDATA[film/feature]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-08-27 13:57:32.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/film/feature/article/37981</guid>
                   </item>
             
                  <item>
                      <title><![CDATA[The right Wavelengths]]></title>
                      <description><![CDATA[TIFF's experimental film program serves tonic]]></description>
                      <link>http://eyeweekly.com/film/feature/article/37984</link>
                      <category><![CDATA[film/feature]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-08-27 14:01:24.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/film/feature/article/37984</guid>
                   </item>
             
                  <item>
                      <title><![CDATA[The Verve]]></title>
                      <description><![CDATA[If the idea of a Verve comeback album in 2008 seems less momentous than
it should — particularly in the wake of recent, more hotly anticipated
reunions by alt-rock trailblazers like the Pixies and My Bloody
Valentine]]></description>
                      <link>http://eyeweekly.com/music/ondisc/article/37987</link>
                      <category><![CDATA[music/ondisc]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-08-27 21:00:00.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/music/ondisc/article/37987</guid>
                   </item>
             
                  <item>
                      <title><![CDATA[The Game]]></title>
                      <description><![CDATA[Not content with merely earnestly rapping about everyone else, The Game
has attempted to kick it up a couple of notches with some ill-conceived
moves on his third and reputedly final outing.]]></description>
                      <link>http://eyeweekly.com/music/ondisc/article/37988</link>
                      <category><![CDATA[music/ondisc]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-08-27 14:12:12.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/music/ondisc/article/37988</guid>
                   </item>
             
                  <item>
                      <title><![CDATA[Art Of Fresh]]></title>
                      <description><![CDATA[A skit (“NYC Interlude”) on rap duo Art of Fresh’s debut describing the
problem listeners have accepting Canadian hip-hop documents an issue
that we hope won’t affect D.O. and Slakah the Beatchild — namely the
fact that being equally talented as those on the other side of the
border doesn’t guarantee having equal exposure.]]></description>
                      <link>http://eyeweekly.com/music/ondisc/article/37992</link>
                      <category><![CDATA[music/ondisc]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-08-27 14:13:36.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/music/ondisc/article/37992</guid>
                   </item>
             
                  <item>
                      <title><![CDATA[Lykke Li]]></title>
                      <description><![CDATA[The debut full-length by Sweden’s latest indie-pop export, 22-year old
Lykke Li, was crafted under the mentorship of Bjorn Yttling, who
enlisted his bandmates Peter and John to lend a hand with the intricate
arrangements.]]></description>
                      <link>http://eyeweekly.com/music/ondisc/article/37993</link>
                      <category><![CDATA[music/ondisc]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-08-27 14:20:41.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/music/ondisc/article/37993</guid>
                   </item>
             
                  <item>
                      <title><![CDATA[Death Vessel]]></title>
                      <description><![CDATA[It’s possible to get all the way through Death Vessel’s second album before realizing that the singer is actually a dude.]]></description>
                      <link>http://eyeweekly.com/music/ondisc/article/37995</link>
                      <category><![CDATA[music/ondisc]]></category>
                      <keywords><![CDATA[]]></keywords>
                      <pubDate>2008-08-27 14:22:41.000</pubDate>
                      <guid isPermaLink="true">http://eyeweekly.com/music/ondisc/article/37995</guid>
                   </item>
             
    </channel>
</rss>
